“An ode to the Dadaists and Bauhauslers, The Dadabyte Theater explores the technologized body within our present Fourth Industrial Revolution. Utilizing in-camera auto portraiture, I reflect on the complexity of contemporary post-human configurations and attempt to find balanced modes of [being] in a hyper-connected, mechanical society dominated by technology. Autonomous machines of war, labor, pleasure, care, and other technological systems of control and comfort are being produced within this dizzying systemic capitalist merry-go-round. By using products of industry, I aim to illustrate the constraints, contradictions, and complexities of our technological entanglement and chose to explore my own agency through this work.”